Sunday, February 13, 2011

Why are Muhammad cartoons taboo?

Mmm?
Traditional Islamic doctrine offers little explanation for this violent response. There is no explicit ban on figurative art in the Quran, and representations of Muhammad, though absent from public spaces, appear in illuminated manuscripts up until the seventeenth century; they still feature in the popular iconography of Shiism, where antipathy to pictures of the Prophet is much less prevalent. There are numerous such depictions—faceless or veiled as an indication of his holiness, or even depicted with facial features—in manuscript collections. It is only quite recently that Muslims living in the west have begun lodging objections to the reproduction of these images in books. The objections are by no means confined to a militant fringe. Populist sentiment—fuelled by the Salafist or “fundamentalist” trends emanating from the Gulf and Saudi Arabia, has produced a near consensus among a majority of Muslims that representations of the Prophet and other holy figures are forbidden by Islam.

All the more puzzling, the recent iconophobia in popular Islam has largely ignored the spread of such images on the Web.
An engraving from Gustav Doré’s version of Dante’s Divine Comedy depicting the punishment of Muhammad in the Eighth Circle of Hell, 1880.


















And my favorite from Jesus and Mo: