Beethoven's Eroica - the movie
Beethoven: Eroica (2003)
It's an historic moment captured in time -- specifically, the exact date in 1804 when the public first heard Ludwig Von Beethoven's momentous "Eroica" (Symphony No. 3). This film follows Beethoven (Ian Hart) as he prepares to unveil his grand masterpiece to a select group of listeners at the Lobkowitz Palace. Jack Davenport and Tim-Pigott Smith co-star. Features a full performance of the symphony conducted by Sir John Eliot Gardiner.This is the best movie that I've seen in months but then I'm a Beethoven fanatic and particularly love the Eroica.
There is very little dialogue and hardly any story - just the music and the reactions of the people in attendance. Prince Lobkowitz's orchestra is giving the first unrehearsed performance of the symphony for the princess and a few guests. There's a short introduction to the assembled characters and then the symphony begins. As the music plays, the camera follows the characters as they hear the Eroica. That's it. That's the whole movie.
Listening to this sublime music and seeing the reactions of the first people (a handful of music lovers, the musicians and even the servants) ever to hear Beethoven's third symphony kept me in tears the whole time. The movie shows through the faces of the audience and orchestra just how shockingly new and exhilarating the Eroica was in its time.
As the guests walk around the small hall looking over the shoulders of the musicians at the score, exchanging glances that show their thoughts on their faces as the music moves them - or annoys, frightens and disturbs them.
At the beginning, before the music starts, one servant asks another what to expect. The other servant replies, "I'm not sure but it will be the usual; either music for dancing or music for praying."
That made me think that Beethoven's music is both. You can dance and pray with it. In fact for Beethoven dance is prayer.
One of the characters in the movie is Beethoven's student/assistant, Ries von Thayer. This is what he wrote at the time about that first performance in June of 1804:
Here it happened that Beethoven, who was directing (the Eroica) himself, in the second part of the first Allegro where the music is pursued for so many measures in half-notes against the beat, threw the orchestra off in such a way that a new beginning had to be made. In the first Allegro occurs a mischievous whim of Beethoven's for the first horn; in the second part, several measures before the theme recurs in its entirety, Beethoven has the horn suggest it at a place where the two violins are still holding a second chord (the violins are suggesting a Bb7 chord -- the dominant of Eb Major, whereas the horn is playing the theme (a simple arpeggio) in Eb Major, a harmony which sounded quite "wrong" to 1804 ears!. To one unfamiliar with the score this must always sound as if the horn player made a miscount and entered at the wrong place. At the first rehearsal of the symphony, __which was horrible__, but at which the horn player made his entry correctly, I stood beside Beethoven, and, thinking that a blunder had been made I said: "Can't the damned hornist count -- it sounds infamously false!" I think I came pretty close to receiving a box on the ear. Beethoven did not forgive the slip for a long time.That incident is shown in the movie.
In the movie Haydn makes an appearance during the third movement. This did not happen in real life because Haydn was sick and depressed by his wife's death at this time. When the symphony is over, Haydn says: "Music will never be the same again after this. Beethoven has set himself instead of the music at the center of his symphony. He has made the composer the hero of his own music. He has revealed his soul to us - no wonder it is so noisy."
The Eroica was inspired by Napoleon and was dedicated "to Buonoparte" by Beethoven who thought that Napoleon was the Obama of his time - "The embodiment of the French Revolution's Liberté, Egalité et Fraternité, the destroyer of kings and the savior of the poor."
The movie ends (historically inaccurately but theatrically aptly) when, after the performance, Beethoven hears that Napoleon has crowned himself Emperor and furiously tears up the dedication page of the symphony.











































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